December 25, 2016 ~ Isaiah 52:7

Go, Tell It On the Mountain
Pastor Mathew Magera – 12/25/16 – Sermon 202
St. Thomas Lutheran Church, Trufant, MI
To God be the Glory!

Grace and peace to you from God our Father, from our Lord and Savior Jesus Christ and the Holy Spirit. Amen.
Though Isaiah 52 does not relate specifically to the Christmas story it describes for us a person who carries the good news with them to many places. Last week at bread crumbs we talked about Isaiah 52:7 and we talked about feet and how feet could possibly be beautiful, especially the feet of those in Bible times who would walk everywhere, get dirty, sweaty and stinky. Where is the beauty in that?
With that in mind, I want to take a journey this morning to discover such beauty while following the story of a popular Christmas carol. Our journey takes us to the mid-1800s in the slave fields of the south. A hot day, sweat pouring, hands torn, feet worn, eyes tired and whips burning one after another. I want you to imagine Isaiah preaching this message to the slaves in the field. “How beautiful are the feet of those who proclaim peace, who bring good tidings, who proclaim salvation, who say to Zion, 'Your God reigns.'" I don't know if Isaiah would get much reaction from a sermon like this. The slaves he would be preaching to would see no beauty in their feet, just the dirt, grime, thorns, scrapes, callouses, and scars of the forced labor they endured. These slaves he would be preaching peace to do not know peace. They know nothing but pain and suffering. These slaves he would be preaching good tidings to would have no good tidings of their own, but only despair and depression. These slaves he would be preaching salvation to might scoff at him as they carry on in captivity. Your God reigns! Oh yeah, then why are we suffering like this? Isaiah's message would be easily unwelcome.
But, we know that slaves were able to find some encouragement along the way. As they worked, they sang. They sang the Scriptures. There are plenty of songs that are sung today in churches that come from the slave fields, including one particular well known Christmas carol. The thing about African American spiritual songs that came from this time period is that a majority of them were not preserved. It's a wonder anything was preserved from this time period because slaves likely could neither read nor write. Imagine the number of Christmas carols we might know if they had all survived over time. Still, one carol made its way through, grew roots and began to grow. One carol of inspiration and encouragement once sung in the fields is now being sung in churches around the world.
It all started at a time not long after the Civil War. A man named John Wesley Work was the choir director of an African American church in Nashville, Tennessee. He had a passion for music that defined the experience of African Americans in the south, including during the times of slavery, which was most of that experience. He was music scholar and his passion was fueled by the desire to influence a new generation of African American living in the United States by introducing them to the spirituality songs of their slave ancestors. Some of Work's choir members were part of an acapella group, the Fisk Jubilee Singers, as nearby Fisk University. Work influenced the members of this group with his music and they, in turn, would take these spiritual songs on tour with them around the world. The music itself provided a new purpose for life that few people had ever experienced and it highlighted African American talents.
Work's son, John Work II, took his father's love of music on for himself in professional ways and, along with his brother Frederick, kept spiritual music burning brightly during that time. While John II is the one who gets the credit for publishing this particular Christmas Carol, Frederick is credited with discovering it. They kept the lyrics the same but changed the music a bit to be fit for choirs. The Fisk Jubilee Singers were the first to sing it publicly in the 1880s. The story within this song gave the lyrics themselves their power. The faith that was necessary for shepherds to believe the frightening image of the angels, to leave their fields and go and find a baby. Yet, it is in their moment of true faith beside the manger that they find the understanding they had not had before. Growing in popularity, it was finally published for the first time in 1909.
In the middle of the Great Depression, John Work III took another look at it and reworked it again into the version that we know today and it was re-published in 1940. During the time since its publishing this song's melody is "infectious, but it is the spirit of the words that seem to provide the song's real power. As an unknown slave revealed in his own prayers and faith, he had little knowledge that the inspiration he felt - probably the only thing of value he ever possessed - would eventually touch millions around the world."[1]
While we do not know where this African American spiritual carol came from exactly, it almost seems like it would come from this passage in Isaiah. Coupled with the story of the shepherds, Isaiah paints the image clearly for us, the image of carrying God's good news to the many places we are able. The slave that first sang this carol likely never envisioned it going anywhere beyond earshot of those he was working near but the inspiration that came from this song caught on, the encouragement it gave was shared, it was preserved and if this person were alive today would likely not believe the lengths to which it spread. In fact, it would be as if the words of the song were true, that even though he was a slave working in a field, the message he brought through song was most definitely told on the mountain, over the hills and everywhere. This person contained the very characteristics described here in Isaiah. For those who find joy and inspiration in this song, we might lift up Isaiah's message, how beautiful are the feet of those who bring good news,... though dirty, chained, far from peace, in depression and captivity, there was still hope.
When we think about sharing the good news of Christmas, we might feel burdened by needing to tell everybody in the entire world when we might be restricted in various ways. Though we may not be slaves, we may not have the physical capabilities of long distance travel or even short distance travel for that matter. The story behind “Go, Tell It On the Mountain” encourages us that even when restricted, if you are sharing the story, the Holy Spirit will carry it. Though you may not be able to get over that mountain in your way, you're tagging the next person ahead of you with this great news and that story is being shared on the mountain, over the hills and everywhere. The shepherds that witnessed Jesus in the manger shared what they could but then others took over. And others after them. Your parents or other family or friends gave you the good news and you took their place in carrying that Word. You pass that news to your children or other friends and family and they carry it. Christmas is a generational journey much like the music we sing. Therefore, hearing the words of Isaiah, how beautiful on the mountains are the feet of those who bring good news... that was the feet shepherds, that was the feet of the early Christian church fathers, that was the feet of your family member or friend, and now, it is you. Of course, it is not a physical beauty, though, perhaps some of you take pride in how good looking your feet are. The beauty in the feet that Isaiah talks about comes from the message itself that is carried by those feet and shared. The power of this message is that it can overcome odds through faith because it is the good news of Jesus Christ. We have been given that Gospel. We have been given Jesus and it is now our turn to go and tell it on the mountain. To God be the glory, now and always. Amen.



[1] Collins, Andrew. “Stories Behind the Best-Loved Songs of Christmas.” Grand Rapids, MI: Zondervan. 2001. Pg. 52.